Naturally, I thought Dashiell Hammett was a perfect evolution. And yet…
After finishing The Maltese Falcon (1929), deemed by the London Times Literary Supplement as "…The best detective story we have ever read…an exceedingly well-written novel…" I find myself un-astounded.
The plot is tight, very tight. The setting is impeccable. A week in foggy San Francisco, the late 1920s. Murder abounds; rare artifacts are lost and swapped and faked; the villain is detestable from his first three lines; the main character is dashing (heh!) and dynamic and unpredictable.
But the book's treatment of females is really odd. I know for a fact that Lillian Hellman (female playwright, and Dash's longtime life partner and fellow political activist for 30+ years) was no shrinking violet. So why are the portrayals of women in The Maltese Falcon so perplexingly awful?
There are three who feature prominently, all of them serving only, it would seem, as plot devices for the main character. Yes, the Detective Agency secretary is cute and tomboyish. Yes, the ex-lover takes things into her own hands and does some neat shadowing work.
Yes, yes, there is a Femme Fatale. Maybe it's just the modern age that I was born into, maybe his women were actually bold and shocking back then, but….Brigid O'Shaughnessy is pretty irritating. Clever, perhaps, but irritating. I just don't understand how such a skilled writer could so epically fall short in his rendering of female characters, especially when he had awesome real-life muses.
Yes, yes, there is a Femme Fatale. Maybe it's just the modern age that I was born into, maybe his women were actually bold and shocking back then, but….Brigid O'Shaughnessy is pretty irritating. Clever, perhaps, but irritating. I just don't understand how such a skilled writer could so epically fall short in his rendering of female characters, especially when he had awesome real-life muses.
I hope Dash isn't rolling in his grave.
Despite the above, I do see why Mr. Hammett rose to fame. His writing is the epitome of the film noir genre: it birthed the era. The times were ripe for it; the gangsters, the mobsters, the espionage of WWI and WWII. Hammett had to deal with a lot of nonsense in his life, he stood up for what he believed in and was often shunned because of this. He pulled himself up by his bootstraps and had a fantastic career as a detective, and he still managed to write many well-plotted, intricate novels. *clap clap*
I'm not sure if I'll read more of his work, but I enjoyed this brief encounter, this brush with the atmosphere of the golden city in a time of charismatic mystique and gritty glamour.