Monday, September 23, 2013

New Wrap Skirt

I made a skirt for myself today. This following draft is mostly for my usage, so if you do your own be sure to take your precise measurements!
   Measurements needed: a couple inches above natural waistline, hips
   Suggested fabrics (these are my dream fabric choices for this project. I may make it again if they're found!): bold rose print for base, navy blue/bright blue for waistband.
   Other notes: Length can be varied. This pattern has been constructed to sit on either the hips or the upper natural waistline. Have fun with designing your own waistband or, in this, cut one with a 3"peak that tapers to 1 1/2" at hips and back. (Meas. are before allowing for seam allowances).
My approach to sewing has kind of become THERE ARE NO RULES! Try to make: straight lines straight, curved lines curved, etc etc.) Double parentheses are suggested stitch length settings, but this also varies with fabric thickness, so determine that yourself.

1. Cut a 64" long, 18" tall piece of fabric. Hem LH edge inward about 5/8ths and sew along that, leaving 1" free at top of skirt. Cut thread.


     2. Starting at this point, sew ((@3 1/2)) with medium stitches, without backstitching, all along top, stopping 1" from end. Cut thread. Ruffle the skirt by pulling gently on one thread and moving the fabric evenly along. Distribute flounce and determine overlap on LH side of skirt. (You could do fun things like make the flounce concentrated on the hips, on the back, in only 4 areas, etc. Just make sure that during the next step you adjust the size of the stitch as you go over these thicker sections). Mark overlap (should be centred over hip), leaving about 1 1/2" to hem later. (It's a good idea to have the fabric that's folding under do so by about 9/10". This will place the underlapping edge in the front. Also it's a good idea to keep those 9" less ruffled than the rest of the skirt so it sits better).
     3. Lay waistband--I used two different fabrics (actually one was blanket binder), but one would be simpler--and skirt top right sides together. Pin and sew ((@2)) with medium-small stitches, taking care to sew below original gather thread. Cut thread. Carefully trim excess bunchiness from seams at waistband.

     4. Either tack down the shape you want for the waistband, folding the fabric over and giving a stiffer band, OR trim in that shape. Either way, slipstitch the edge in place by hand. Iron if necessary.
     5. Remember the 1 1/2" you left at the overlap edge? (Highlighted above in green). Turn it in nicely now, again using slipstitch. Remember, 1 or 2 threads at a time, check often. Also turn in this side of the waistband neatly. Do what you want with the waistband that will be hidden, but try to make it as flat as possible, turning it in neatly too.
     6. Position the skirt how you'd like it to sit. Pick out a button/buttons. Mark for buttonhole(s) and button placement with pins. Sew on and then carefully cut buttonhole using X-acto knife, fabric cutter, etc. Bind using one of these methods, depending on fabric: coletterie.com/tutorials-tips-tricks/handmade-buttonholes
Using a small hook and eye, secure underlapping waistband to outer waistband. Hem bottom of skirt, use bias tape, or put an edge or lace on it. Better pictures later. Haven't hemmed yet.

Tuesday, September 17, 2013

September Tidings

There has been a lot happening lately. I'm headed out to the West Coast for 10 months, which means wrapping a lot up before that (October 9th!) departure. There's been music and gardening and family; animals, packing and panicking.
  About two months ago I started making little felted hair fascinators: plus.google.com/photos/109340179484608660365/albums/5924609850214898577?banner=pwa
They are available for sale if anyone wishes to contact me: thewellnewspaper@gmail.com (a set is $7/8/9, singles $4/5, tri-ornaments $9). Prices still being worked out. Negotiable. Bartering welcome.
There's also been work on:
a copy of a windmill painting
and
a sleeveless peasant bodice
(both of which will be photo-documented soon).
There is a youtube channel where I'll be putting things up sporadically: www.youtube.com/channel/UCWuVpsSw0tPi_BfNdm-KMdg
And of course there's still itsfunnierfirsthand.blogspot.com with an archive of rather confounding comics that only I understand!
Bonus toad picture:
We finally have toads hiding in our gardens again.  I actually had time to find my camera, traipse back out, and photograph this guy. He really thought I couldn't see him.

Monday, August 26, 2013

Quote No.24


“If you can find money to kill people you can find money to help people.”~Tony Benn 
http://en.wikipedia.org/wiki/Tony_Benn
A fantastic British gentleman (with the usual lengthy collection of first names). If you have not yet heard of this dignified person, PLEASE check him out. He's a capital human being with lots to say and plenty of wisdom for today's masses. I could listen to his voice all day. It has that tweed-jacket, pipe-smoking English garble that brings to mind misty mornings and dusty, well-worn books.
     Listen while you wash dishes, drink tea, sweep, etc. Not a sit down video. http://www.youtube.com/watch?v=qBsaQ5ltcK8

Tuesday, July 9, 2013

Impossible

Some days
the simplest task
shelling peas or speaking a sentence
seems impossible
like trying to capture clouds
on a windswept afternoon

A Stranger in my Hometown

I've been cultivating this feeling lately, transporting my mind into a state of unknowing wonder in familiar places. Pretending that I don't know these streets-don't know that that avenue leads to this one, or that that road is a dead end, that coffee shop isn't great, that person is a postman on weekdays.
  One of my favourite things in all the world is entering a new town or setting. Why not experience it where I live, too? It's an interesting experiment and I notice more than if I were to just zone out due to familiarity.
  Someone once said: http://amyvdh.tumblr.com/post/144770640/everytime-we-go-out-into-the-world-we-can-choose#notes-container

Colds

One of the greatest inspirations for shifting a cold is the notion of once again enjoying the full experience of drinking a cup of tea.

Monday, July 1, 2013

Miracles In A Straight-Lined World


One of my favourite pictures overall-the ceiling in casa battlo’s morning room
flower pots on wall


There is an odd, asymmetrical pattern to Antoni Gaudi’s works that I find enchanting. The glaze on one tile will be duplicated in darker or lighter shades on opposite sides of Barcelona, on two structures that couldn’t be more different from one another, and you just stand there going “….how did…..” And then shake your head and just accept all the imperfect geniuses of the world.
  I remember when an elder man in my town proudly showed me pictures of one of his great loves-Casa Battlo-and I just sat there trying not to cry. It was that beautiful. And I thought, if I ever get to see this, my life will be complete.
Now I have seen it.
And it’s not.
Because of course I want follow-up. To sit for hours and sketch and observe and watch the light play over the walls and curves and tiles. Feel the textures; trace the shell-like spiral on a column, the roughness of the stones, the smooth arm of a chair (little known fact that before Gaudi’s architecture career kicked off he designed beautiful, ridiculously comfortable furniture).
  And then there’s the Sagrada Familia, which, dare I say, is almost too much for little human brains to look at all at once and simultaneously appreciate. That takes time, attention to detail, staying in a place for a day, a week, years…..

Gaudi arch
Stairway to heaven 

Casa Battlo, House of Masks
luminous hallway
the dragon's spine atop the roof
Parc Guell-As though a deep fissure had opened, streaming sunlight down, and we were able to descend and wander about in Hell’s anteroom, a Dante’s Inferno-esque landscape of twisting pillars and craggy angels and jagged stalactite jaws. Also I just felt like a Middle Earth dwarf. 

 We also took a stroll (with our stellar, bottomless-wells-of-kindness hosts) through a textile community that Gaudi helped design, “Colonia Guell.”
World's longest bench

looks like a ship deck
Sometimes I feel as though we bumbled our way through this trip-not planning anything, not googling the best sights here, the best restaurants there.
And other times I feel as though what we ended up doing by chance-stumbling across things and into famous squares or along main streets-was perfect. Just the thing to do. Why 
explore cities any other way?
Of course you have to tailor your preferences and needs according to your location and all, but it was nice not to feel tied down by reservations.
  I felt- in order not to panic and think about all the things we wouldn’t get to see-I just had to let go, walk around, live the situation, and accept that yes, right this moment we could be doing this or this, but we’re not, we’re here. Look nearby and see what there is, etc.
There were times when we made special trips to things-like La Ramblas, the Sagrada Familia, or the train stations for departures and arrivals, but other than that we came upon most of my favourite memories by accident. Simply rounding a corner, and oh look, there’s the local market or the Picasso museum or Santa Maria del Mar or….